In This Month: “Born to Run,” The Perfect Summer Album, Even in an Abnormal Summer

There are plenty of events from 1975 applicable to 2020, but none of what I mentioned are the real reason as to why I am looking 45 years into the past. I’m looking at 1975 because on August 25th, Bruce Springsteen released his climactic cornerstone rock album, Born to Run….

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Drain Gang’s Vision for the Future of Live Shows

Well into the COVID-19 lockdown, the official YouTube channel of London-based live radio network NTS uploaded an hour-long live performance featuring Bladee and Ecco2k, two members of the Swedish cloud rap collective Drain Gang. This whole “concert” shows the inventiveness of Drain Gang and it opens up a whole new world of possibilities for inventiveness in the live medium. There’s no telling what kind of creativity other artists could bring to the table if this becomes the new norm…

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Review: 1000 Gecs and the Tree of Clues

1000 Gecs and the Tree of Clues is the latest release from experimental pop group 100 Gecs, and is a follow-up to last year’s 1000 Gecs album, which was one of the most forward-thinking, idiosyncratic, well-conceived, and tightest pop albums not of the year, not of the decade, but of all time…

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Review: “Come and See”

“Come and See” is a 1985 film from the Soviet Union by director Elem Klimov. The film is set in Byelorussia in 1943, and follows a young boy, Florya, as he is recruited into the struggling resistance movement against the crushing arm of Nazi Germany. He enters the war with confidence and courage, as many young recruits do, but his mind and body are soon ravaged by the horrors of war.

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DAMN.

DAMN. is the fourth studio album from rapper Kendrick Lamar, which came out on April 14th, 2017, three years ago. Lamar has been heralded as one of the generation’s greatest musical minds from both critics, the underground, and the mainstream, earning him dozens of gold & platinum certifications as well as a Pulitzer Prize for this very album. 

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Review: The Lighthouse

The Lighthouse is a 2019 psychological thriller film directed by up-and-coming filmmaker Robert Eggers. Following his acclaimed major motion picture debut The VVitch, Eggers was approaching his next film with near total creative control and he decided to tell the story of two lighthouse keepers sent to an isolated island.

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